CoProducer Measure a mix

Methodology · Lacquer · CoProducer Journal

How Lacquer tests, cites and corrects

NoDAW Labs · Lacquer · Updated 19 October 2026

Lacquer's measurements come from test signals we generate in code, rendered and measured with FFmpeg, so anyone can run the same script and get the same numbers. Outside facts are linked to their source. When we get something wrong, we fix the essay, update its date and say what changed.

Synthetic test signals

Many essays include a "proof" script. These scripts build their own audio from scratch: sine tones, filtered noise, pads, an 808-style bass, bright hats, or a deliberately over-hot master. They are usually written in Python with NumPy. FFmpeg renders and converts them, and FFmpeg's ebur128 filter measures integrated and short-term loudness and true peak. Scripts that work this way say so in their header, for example "SYNTHETIC AUDIO ONLY".

We use synthetic signals for three reasons:

Synthetic results show how a process behaves. They do not promise the same numbers on your song, so measure your own bounce before you decide.

The A/B demos and CoProducer numbers

The A/B player on the CoProducer home page plays aligned 45-second excerpts of three tracks, Crazy Stacy, BeatGoHard and Drippin, before and after a CoProducer repair. The numbers quoted for them (for example 70 → 90, with 831 clipped samples down to 0) come from CoProducer's own engine reports for those files.

The CoProducer pass/fail gates are CoProducer's own release bar: −14 LUFS integrated within 1.5 LU, true peak at or below −1.0 dBTP, zero clipped samples, at least 44.1 kHz and phase correlation of at least 0.2.

How sources are cited

How essays are corrected

Reader notes and moderation

Authorship

Essays are credited to NoDAW Labs as an organization. When individual writers are credited in future, their names and backgrounds will be real and shown on the essays they wrote.